The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. She wasn’t sure of herself when she said it. After the sights he would have to twiddle his thumbs until the joints cracked. But she did not in the least want to do that.
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