While the cloth was laid, the host and Thames descended to the cellar, whence they returned, laden with a number of flasks of the same form, and apparently destined to the same use as those depicted in Hogarth's delectable print—the Modern Midnight Conversation. “She’s my wife,” the man muttered. Every movable mirror had been placed here, to discourage vanity, and since no whitewash covered the brocaded purple wallpaper, its pervasive hue gave an added sense of heaviness to the crowded chamber. “There’s no delusions, so far as I know,” said Ann Veronica.
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