The ripple of the water against the boat, as its keel cleaves through the stream—the darkling current hurrying by—the indistinctly-seen craft, of all forms and all sizes, hovering around, and making their way in ghostlike silence, or warning each other of their approach by cries, that, heard from afar, have something doleful in their note—the solemn shadows cast by the bridges—the deeper gloom of the echoing arches—the lights glimmering from the banks—the red reflection thrown upon the waves by a fire kindled on some stationary barge—the tall and fantastic shapes of the houses, as discerned through the obscurity;—these, and other sights and sounds of the same character, give a sombre colour to the thoughts of one who may choose to indulge in meditation at such a time and in such a place. Jack Sheppard's Escape from the New Prison 258 V. “I’m six hundred and forty-eight, John, but guess how old I look? Fifteen. He jumped back, cursing. And she did not merely affect to be driven—she felt driven. She was a clever girl, the best of her year in the High School, and she made a valiant fight for Somerville or Newnham but her father had met and argued with a Somerville girl at a friend’s dinner-table and he thought that sort of thing unsexed a woman. Love anywhere. She was already a little prepared by her discursive reading and discussion under the Widgett influence for ideas and “movements,” though temperamentally perhaps she was rather disposed to resist and criticise than embrace them. Strange gurgle-like noises emanated from the crypt. He saw her young and graceful back as she descended from the carriage, severely ignoring him, and recalled a glimpse he had of her face, bright and serene, as his train ran out of Wimbledon.
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