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Part 4 But presently, as she sat on the one antimacassared red silk chair and surveyed her hold-all and bag in that tidy, rather vacant, and dehumanized apartment, with its empty wardrobe and desert toilet-table and pictureless walls and stereotyped furnishings, a sudden blankness came upon her as though she didn’t matter, and had been thrust away into this impersonal corner, she and her gear. In their opinion a hundred pounds would not repair the damage done to the prison. And it’s like the petals falling from a flower. “Come,” he said, “you can’t be meaning to bury yourself. All through the love music of the second act, until the hunting horns of Mark break in upon the dream, Ann Veronica’s consciousness was flooded with the perception of a man close beside her, preparing some new thing to say to her, preparing, perhaps, to touch her, stretching hungry invisible tentacles about her. In the struggle her cap fell off. . .

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